Paul McCartney Reveals There’s a Vault of Songs He Wrote with Lennon No One Has Ever Heard…..see more

In a revelation that has stunned Beatles fans and music historians alike, Sir Paul McCartney has confirmed the existence of a treasure trove of unreleased songs he co-wrote with the late John Lennon. These songs, many of which have never been heard by the public, date back to the duo’s early songwriting days—some even from before Beatlemania swept the globe.

During a recent interview, McCartney spoke candidly about the long-rumored “vault” of lost Lennon-McCartney collaborations. “There are songs we wrote that no one’s ever heard,” McCartney admitted. “Some we never recorded. We’d write them in a bedroom, sing them once or twice, and if we didn’t remember them the next day, they were gone.”

For fans of the Beatles, this is a seismic moment. The Lennon-McCartney songwriting partnership is one of the most celebrated in modern music, birthing classics like Yesterday, Let It Be, A Day in the Life, and Hey Jude. Yet McCartney suggests their total output could be far greater than previously documented—perhaps even doubled—if you count what was never captured on tape.

The absence of proper recording technology in the early 1960s played a major role in these lost works. “We didn’t have smartphones or tape recorders,” McCartney explained. “We had to rely on memory. If it stuck, we’d finish it. If not, we moved on.” It’s a bittersweet truth for Beatles aficionados who can only imagine the melodies that never made it past the bedroom wall of a Liverpool flat.

However, there’s reason for renewed excitement. McCartney’s recently released book The Lyrics: 1956 to the Present offers a rare glimpse into this hidden history. Among its 154 featured songs, one stands out: Tell Me Who He Is, a previously unknown Beatles lyric fragment that never saw the studio floor. Described as tender and mysterious, it’s one of the first tangible pieces from this supposed vault to emerge.

There are also whispers of other unreleased collaborations—some even post-Beatles. One example is Angel in Disguise, a song McCartney co-wrote with Ringo Starr in the early ’90s. Although it was meant for Starr’s solo album, it never made the cut. If such recordings still exist in private collections or archives, the future might hold more surprises.

McCartney’s disclosure has reignited debates over whether these tracks will ever be released. Technological advancements, especially AI-assisted audio restoration, have recently allowed even “lost” Beatles songs like Now and Then to come to life. Could similar techniques bring these unreleased works back from obscurity?

Still, McCartney remains philosophical about what’s been lost to time. “We wrote for the moment,” he said. “Not everything had to be forever. But maybe, just maybe, some of those songs are worth hearing after all.”

As Beatles lore continues to evolve, fans around the world now cling to the hope that somewhere in a studio basement or dusty drawer lies another masterpiece, waiting to be discovered.